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A simple, modern translation and explanation of the Bhagavad Gita with shloka (verse) meaning

~ Gita Journey is a straightforward, modern, contemporary, basic explanation and commentary of the Bhagawat Gita, with Sanskrit to English word meanings. Each shloka (verse) is explained in detail. An introduction to the Bhagavad Gita along with study resources can also be found here. A summary of each chapter of the Bhagavad Gita is also included. It does not matter whether you are a student, a retiree, a professional, a mom, a dad or a housewife – no prior knowledge is needed.

A simple, modern translation and explanation of the Bhagavad Gita with shloka (verse) meaning

Category Archives: gandhaan

Bhagavad Gita Verse 8, Chapter 15

13 Wednesday Mar 2013

Posted by skr_2011 in 15.8, aashayaat, avaapnoti, chapter 15 verse 8, eeshvaraha, gandhaan, griheetvaitaani, samyaati, shareeram, utkraamti, vaayuhu, yat

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shareeram yadvaapnoti yachchaapyutkraamteeshvaraha |
griheetvaitaani samyaati vaayurgandhaanivaashayaat || 8 ||

 
When the lord acquires a body, and when he leaves it, he takes them and departs, like the wind takes odours from their seats.
 
shareeram : body
yat : when
avaapnoti : acquires
yat : when
cha : again
api : also
utkraamti : leaves
eeshvaraha : lord
griheetvaitaani : takes them
samyaati : departs
vaayuhu : wind
gandhaan : odours
iva : like
aashayaat : seats
 
Earlier, we saw how the individual soul, the jeeva, wants to interact with Prakriti in order to exhaust its desires. In preparation to do so, it surrounds itself with the mind (which contains the desires) and the five senses. This collection of the jeeva, the mind and the senses is also known as the subtle body, because it is invisible. We can think of the subtle body as a computer file. Just as a computer file needs a computer to express itself, a subtle body needs a physical body to express itself. Whenever the timespan of one human body ends, the subtle body has to find another physical body to continue exhausting its desires.
 
Shri Krishna says that in such a situation, the subtle body, the jeeva with the mind and senses, ejects itself from the physical body and finds another body to settle in. It is similar to a international diplomat who goes from one assignment to another, taking his staff with him wherever he goes. Since the mind and senses follow the jeeva, it is referred to as Ishvara or the lord here, not to be confused with the meaning of Ishvara that has been used throughout the Gita. Once the jeeva finds a new home, it slowly starts unpacking its belongings, the mind and senses, in sequence. It is fascinating to see time-lapse videos of an embryo growing inside a mother’s womb. This is the jeeva slowly gaining its faculties, which are nothing but accumulations of additional upaadhis.
 
Imagine that a small wooden box contains a strong perfume. If the box – the seat of the perfume – is opened, the fragrance will slowly start leaving the box and fill the room. Shri Krishna uses this analogy to explain the transfer of the jeeva from one physical body to another. If we bring in the analogy of the eternal essence as space, and combine it with this analogy, we will find that they fit together perfectly. Walls, fragrance, wind, boxes – all these limitations of space are apparent, not real. They are upaadhis, apparent limitations. Space does not care whether we build 2 walls or 2 million walls. No one or nothing can limit space. There is no coming and going of the perfume in space. It is only from a worldly standpoint that the fragrance is moving from the box to the room.

Bhagavad Gita Verse 11, Chapter 11

25 Thursday Oct 2012

Posted by skr_2011 in 11.11, aalyaa, ambara, anantam, anulepanam, ayam, chapter 11 verse 11, devam, dharam, divyam, gandhaan, sarvaashcharyam, vishvatomukham

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divyamaalyaambaradharam divyagandhaanulepanam |
sarvaashcharyamayam devamanantam vishvatomukham || 11 ||

 
Wearing divine garlands and clothes, anointed with divine fragrances, all of these wonderful (sights) were shining and infinite, with faces on all sides.
 
divyam : divine
aalyaa : garlands
ambara : clothes
dharam : wearing
gandhaan : anointed
anulepanam : anointed with
sarvaashcharyam : all wonderful
ayam : these
devam : shining
anantam : infinite
vishvatomukham : faces on all sides
 
Sanjaya continues the description of Ishvara’s cosmic form in this shloka. Shri Krishna, after giving a hint of Ishvara’s destructive power to Arjuna, showed his soumya roopa or his pleasing form. In other words, all the five senses and the mind enjoyed taking in this pleasant form. To that end, Arjuna saw Ishvara dressed up in fine clothes and garlands, as well as anointed with divine perfumes.
 
Another aspect of this form that it did not have a “centre”. Whenever we try to worship God, we always choose either an idol or an image so that we can focus our thoughts. However, many of us tend to get fixated on one deity, image or idol and consequently shun other deities. Sanjaya, in describing the cosmic form, noted that it had “infinite faces”. In other words, whenever Arjuna tried to pinpoint one face and say “this is Ishvara”, he would fail. Shri Krishna did this to remove any prior conceptions of Ishvara that Arjuna would have harboured.
 
Now, we always need to keep one thing in mind when we contemplate the cosmic form – there is oneness behind all the diversity. It is all one being, ultimately. Just like the millions of cells, tissues and organs in our body serve one person, all the diversity seen in the cosmic form serves one Ishvara. Our minds are used to dividing things, cutting up things. The cosmic form is meant to reverse that process and unify everything.
 
Sanjaya used the word “devam” which means shining to describe this form. He elaborates on this in the next shloka.

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